MILL: CULTURE AND THE
SATISFIED PIG
Most Liberal Arts colleges require that their students take courses in history,
literature, philosophy, and the fine arts, even if students prefer to be just
athletes, business majors, or future doctors and lawyers. And most sufficiently
affluent societies are pledged to the support of the arts and humanities in
one way or another, even if the majority of citizens have only a very moderate
interest in higher education or "high" culture, if any at all. Whence,
then, this commitment to the idea of a culture and education which clearly goes
beyond the necessities of everyday life and the more immediate interests of
most people? Is the official regard for these matters just a thoughtless tradition?
Is it pretentiousness? Is it the snobbish predilection of a particular social
class which is foisted on the rest of society? It is, after all, quite possible
to go through life without ever reading a single serious book, and without paying
any attention to the cultural life of a country. Cultural “lowbrows,”
in fact, often seem to be far better off than the once proverbial "eggheads"
who spend their time fretting over questions that seem void of vital practical
import. That "philosophy does not bake bread" has been known for a
long time. Why then bother with "high" culture, if it does not make
money, and requires a lot of time and effort to boot? Could the entirety of
cultural aspirations not be considered a dead weight that had better be jettisoned
by people who wish to live an unencumbered and enjoyable life?
Radicals on the far Right as well as the extreme Left have occasionally suggested
that all high culture be simply abolished as an insidious deformation of true
life, or as so much pretentious bourgeois bombast. “Every time I hear
the word ‘culture,’ I instinctively reach for my revolver,”
a character in some Nazi play remarks. But such programmatic anti-culture radicalism
may not even be necessary to bring about the effective demise of serious concern
with the arts and related matters. What is known as “high culture”
may easily die of such natural causes as widespread lack of interest, waning
intellectual energy, commercialization, or the plain inability of culture enthusiasts
to make a good case for their cause. It is, furthermore, far from clear whether
genuine culture has not already been replaced by a comprehensive entertainment
industry that produces consumer items for the halfway sophisticated taste as
routinely as for the mass audiences of “pop.” Under present conditions
the very idea of high culture seems quaint or suspicious, and it has become
a coy routine among intellectuals and artists to cringe at its mention and deny
any connection with it.
Writers and film makers occasionally belabor stereotypes that reflect the alleged
difference between Californians and New Yorkers. ("Annie Hall" and
"California Suite" provide enjoyable examples.) New Yorkers, according
to this typology, are highly cerebral, seriously committed to culture, well-read,
fast thinking and talking, very productive, aggressive to the point of being
obnoxious, and hopelessly neurotic. They diligently keep up with what people
think around the world, and they endure pain and neglect their physical health
in pursuit of cultural sophistication and demanding levels of intellectual discourse.
Their stereotypical Californian counterparts, by contrast, are deliberate airheads
with no taste for the gritty and serious aspects of human existence--easygoing
health nuts with a nice tan, and generally satisfied with having no higher aspirations
than experiencing a good time near the beach in a perpetually mellow climate.
Assuming for a moment that these stereotypes represent two possible ideals of
life, is there any good reason for insisting that one of them is better than
the other? Is the high-strung and hardworking intellectual superior to the relaxed
and benevolent airhead? Considering that high culture requires so much attention
and effort, and that it does not seem to pay off too well in terms of sociability
and contentment, is it really worth the price it exacts?
This is the question that John Stuart Mill tries to answer in the second chapter
of his book Utilitarianism (first published in 1861). In that chapter
Mill offers the famous judgment (in favor of the New Yorkers, as it were) that
"it is better to be a human being dissatisfied than a pig satisfied; better
to be Socrates dissatisfied than a fool satisfied." Basically Mill contends
that a highly cultured person is a happier person, a person who gets
more pleasure out of life than an airhead--even if such a person experiences
a great deal of frustration and dissatisfaction as a result of being educated
and cultured. How does Mill defend such a judgment?
John Stuart Mill (1806-1873) was by far the most influential philosopher in
the English speaking world of the nineteenth century, and he was the most convincing
defender of Utilitarianism, the philosophy that his father James Mill and his
father's friend Jeremy Bentham had launched a few years earlier. As a Utilitarian
J. S. Mill defended happiness as the highest principle of morality (opposing
Kant, for example, who took rational self-determination to be the highest value).
The greatest happiness for the greatest number of people was the highest goal
for which everyone should strive.
To make happiness the highest value in a system of morality was a controversial
proposition in Mill's early days, and he was lambasted for it not only by orthodox
churchmen, but also by numerous philosophers and journalists. In the second
chapter of Utilitarianism Mill defends himself against such critics,
to whom he angrily refers as "the common herd, including the herd of writers."
He starts out his defense by defining the basic terms of Utilitarian ethics:
The creed which accepts as the foundation of morals Utility, or the Greatest
Happiness Principle, holds that actions are right in proportion as they tend
to promote happiness, wrong as they tend to produce the reverse of happiness.
By happiness is intended pleasure, and the absence of pain; by unhappiness,
pain, and the privation of pleasure… (1)
Next, Mill turns to the critics of Utilitarianism:
Now, such a theory of life excites in many minds ...inveterate dislike.
To suppose that life has (as they express it) no higher end than pleasure--no
better and nobler object of desire and pursuit--they designate as utterly mean
and groveling; as a doctrine worthy only of swine, to whom the followers of
Epicurus were, at a very early period, contemptuously likened; and modern holders
of the doctrine are occasionally made the subject of equally polite comparisons
by its German, French, and English assailants. (2)
Epicurus (341-270 BCE) was the Greek founder of Epicureanism (also called Hedonism--derived
from the Greek word hedones = "pleasures"). It was a very
influential philosophy both in ancient Greece and in the Roman Empire. Contrary
to what is often assumed, Epicurus did not advocate the thoughtless pursuit
of such pleasures as wild sex, fame, and all the material things that money
can buy, but a simple and quiet life that leads to enduring contentment and
peace of mind. Interestingly, as Mill points out, it is usually the pious enemies
of Hedonism who think of crass debauchery whenever they hear the word "pleasure":
When thus attacked, the Epicureans have always answered, that it is not
they, but their accusers, who represent human nature in a degrading light; since
the accusation supposes human beings to be capable of no pleasures except those
of which swine are capable. (3)
Mill continues by arguing that there is a significant difference between the
pleasures of animals and those of human beings:
The comparison of the Epicurean life to that of beasts is felt as degrading
precisely because a beast's pleasures do not satisfy a human being's conception
of happiness. Human beings have faculties more elevated than the animal appetites,
and when once made conscious of them, do not regard anything as happiness, which
does not include their gratification. ... [T]here is no known Epicurean theory
of life which does not assign to the pleasures of the intellect, of the feelings
and imagination, and of the moral sentiments, a much higher value as pleasures
than to those of mere sensation. ... It is quite compatible with the principle
of utility to recognize the fact that some kinds of pleasure are more desirable
and more valuable than others. It would be absurd that while, in estimating
all other things, quality is considered as well as quantity, the estimation
of pleasures should be supposed to depend on quantity alone. (4)
The last remark is a swipe at Mill's predecessor Bentham. For Jeremy Bentham
all pleasures were equal. If some people get their pleasures from reading sophisticated
poetry, while others prefer simple board games, there is no reason for maintaining
that the one kind of pleasure is better than the other. In Bentham’s famous
quip: "Pushpin [the simple board game] is as good as poetry." The
only thing that counts in Bentham's theory of ethics is the amount
of pleasure that a person receives, its quantity. It was Bentham's
indifference to the quality of pleasure which earned Utilitarianism
the reputation of being a philosophy for cultural lowbrows. It was because of
this that J. S. Mill saw a need for re-defining the basic principle of Utilitarian
ethics in his book Utilitarianism.
Talk about more or less valuable pleasures raises the question of how one can
distinguish and evaluate them: What makes one pleasure more valuable than another?
Why is appreciating poetry more valuable than enjoying a simple game or a Porterhouse
steak? Why is listening to a complex Mahler symphony preferable to happily singing
along with some tune in the jukebox? What exactly is the characteristic that
distinguishes the more valuable from the less valuable pleasures? This is how
Mill responds to the question:
If I am asked ... what makes one pleasure more valuable than another, ... there
is but one possible answer. Of two pleasures, if there be one to which all or
almost all who have experience of both give a decided preference, irrespective
of any feeling of moral obligation to prefer it, that is the more desirable
pleasure. (5)
In other words, people who are familiar with both kinds of pleasure (the pleasures
of the intellect as well as the pleasures of “mere sensation”) are
the competent judges who can decide which pleasures are more desirable. Whatever
kind of pleasure they prefer is the more valuable kind. And it is the intellectual
pleasures which, according to Mill, these knowledgeable individuals invariably
prefer:
Now it is an unquestionable fact that those who are equally acquainted with,
and equally capable of appreciating and enjoying both, do give a most marked
preference to the manner of existence which employs their higher faculties.
Few human creatures would consent to be changed into any of the lower animals,
for the promise of the fullest allowance of a beast's pleasures; no intelligent
human being would consent to be a fool, no instructed person would be an ignoramus,
no person of feeling and conscience would be selfish and base, even though they
should be persuaded that the fool, the dunce, or the rascal is better satisfied
with his lot than they are with theirs. … It is better to be a human being
dissatisfied than a pig satisfied; better to be a Socrates dissatisfied than
a fool satisfied. And if the fool, or the pig, is of a different opinion, it
is because they know only their own side of the question. The other party to
the comparison knows both sides. (6)
This settles the matter for Mill, and it can be assumed that the vast majority
of educated people have always been in agreement with his valuation of being
cultured. Philosophers, however, may feel prompted to raise some doubts concerning
Mill’s argument. Is it really an unquestionable fact, for example, that
all people capable of enjoying both "higher" and "lower"
pleasures will give a marked preference to the former? Will the “higher”
form of existence, that of human beings, always be considered to be preferable
to the life form of animals by people who know and have thoughtfully considered
both options?
In the absence of any scientifically conducted poll, it will be worthwhile to
take a look at history. There have, in fact, been notable dissenters to Mill’s
view throughout the course of Western philosophy. In the 18th century Jean-Jacques
Rousseau made a name for himself as a radical critic of civilization and as
an advocate of the virtues of primitive societies and nature, and in classical
Greece the so-called Cynics were famous for deriding human culture while praising
the beauty of a pure animal existence. The name of this latter school of thought
is derived from the Greek word kynos, which means "dog." Dogs were
revered by the Cynics as role models, because dogs were seen as more honest
than humans, and as being more in touch with the truths of nature than their
human brothers and sisters. Virtue, according to the Cynics, consists in rejecting
all social conventions and cultural artificiality, and in living in harmony
with the forces and laws of the physical universe. Cynics deliberately lived
in poverty-- unwashed, with torn clothes, and sleeping wherever they found a
place to rest. Diogenes, a contemporary and humorous critic of Plato, is said
to have lived in a tub, and to have masturbated in public to press home the
point that only artificial convention would make such a natural activity appear
offensive. The Cynics, although educated and mostly quite familiar with the
so-called pleasures of the mind, seemed to have believed that the simplicity
of an animal existence is ultimately preferable to the life of civilized and
intellectually advanced and complex people.
It will help to remember this historical precedent while reading the following
poem by the contemporary American poet Duane Locke. The speaker in "Circe,
I on Sanibel Think of My Former Life as a Pig" is one of Odysseus' sailors
in a 20th century embodiment. This sailor talks about the modern island of Sanibel
in Florida, as well as the mythical island of the sorceress Circe from Homer's
Odyssey. Odysseus, during his long voyage home after the Trojan War,
was marooned with his crew on Circe's shores. As Circe wished to keep Odysseus
on her island, she changed his men into pigs. Through his cunning Odysseus eventually
managed to make her change the sailors back into men, and thus to escape from
a form of existence that most Greeks would have considered inferior. This episode
from Homer's Odyssey is usually read as a triumph of human civilization
over animal lust and the dark forces of nature. In his melancholy poem Duane
Locke proposes a different reading:
Circe,
when you called it was raining heavily.
Static came with your voice through the telephone.
I could see through the plate glass
the puddles in the yard, and the hibiscus opening for humming birds.
It was a Noah's flood, although there will be no new world.
You ask me, with a loving, lonely voice, how I was,
now that I walk upright and not on all fours.
Was I happy since Odysseus destroyed your magic and
charms, turned me from a pig back into a man,
surrendered my curled tail for a desk job and hemorrhoids,
exchanged my snout and hooves
for a large nose, an old, wrinkled face, too tight shoes,
my electric bristles for gray hairs that forecast my death?
Do I feel I am a success,
now that I have returned to the respectable life,
help open your secret island for progress and cultivation,
Dairy Queens, condominiums, tennis courts, and jewel robberies?
You cried when you told me how all the pines were cut down;
even the sea oats, sea plums, sea grapes were bulldozed to death.
Circe,
my darling, what could I say to you,
a man who once had the happy, rapturous life of being a pig,
rooting for acorns under ancient oaks,
caressing my sides by rolling in mud, but who surrendered to an illusion, egotism,
a lie in his mind that a man is more important than a pig.
Now a man again I am divided from everything,
even my words are trace structures and have to be erased.
[...]
Circe,
my darling, my dearest, perhaps your magic will return,
you will find another island
not ruined by man as yours and Sanibel.
Circe,
even if you cannot, if all possibility of paradise
has been removed from the earth by the sellers of real estate,
if all decent values have been destroyed by the lower,
the middle, and the upper classes,
Circe,
even if we must live among man's pollution,
his nuclear plants, his beaches littered
with fishermen, speargunning, suntanning, and beer cans,
Circe, Circe,
take me back again! (7)
Duane Locke sketches an unfavorable picture of civilization, to say the least:
Unhealthy shoes, desk jobs and hemorrhoids, fast food joints and robberies,
pollution and wholesale destruction through real estate development, the knowledge
of one's inevitable death--and all of this buttressed by the presumption that
human beings are somehow more important than animals. The life of a pig, by
contrast, emerges as one of innocence, warmth, absence of restraints, immediacy,
simplicity, and a deep harmony with nature. The wholesome world of the pig is
praised as a paradise, and in connection with the magic and godly descent of
Circe, the pig's existence appears outright divine.
There have, as mentioned, always been critics of civilization, and the general
counter-vision invoked by these critics has always been a more or less romantic
vision of nature. In light of the enormous wastelands which relentless industrial
expansion, unfettered greed, and an out-of-control population expansion have
created on this planet, however, Mill's high esteem for the human form of existence
looks particularly problematic, and the idea of somehow minimizing the distance
between humans and the animal kingdom would be particularly appealing. Considering
the relevant details of human history, and the over-all conduct of the human
race on this planet, one does not have to be much of a Cynic to be at least
intrigued by the question whether the whole of human evolution may not have
been something like an aberration--a cosmic wrong turn. It is more than mere
whim if the thoughts of contemporary science fiction writers have time and again
moved in the direction of describing the whole of human civilization as a failed
experiment that might as well be abandoned.
A rejoinder by Mill's followers would be to point out that the undeniable perversions
of our particular civilization cannot be equated with civilization as such.
Mill obviously cannot be taken as advocating a littering, polluting, bulldozing,
and greed-driven consumer economy as the epitome of human culture. Humanity
may move in this direction, and to all appearances seems to be doing just that,
but there is no reason for saying that it has to travel down that road.
Thoughtless greed and environmental destruction could be controlled in the way
deadly floods or ravaging diseases are checked. It is not the mindless and bulldozing
developer, but thinkers like Socrates or poets like Duane Locke whom Mill considers
preferable to his satisfied pigs.
Still, why bother to be human? Why emphasize and develop all those faculties
that set human beings so dramatically apart from the rest of the animal kingdom—highly
developed intelligence and comprehensive knowledge, complex systems of communication,
reasoned predictions of the future and evidence-based reconstruction of the
past, self-reflection and reason-based discipline, irony and wondering contemplation,
and so forth? Why create an inevitably fragile civilization and maintain an
often exasperating and frustrating life of the mind--rather than emulate (as
much as is humanly possible) the natural simplicity of an animal existence?
Why spend so much time and energy on something for the existence of which there
does not seem to be any compelling reason? Why all the exertions, discomforts,
and frustrations that accompany advanced schooling if there are only questionable
benefits and results? Did not even Socrates recommend at one point in Plato's
Republic (372 d-e) the "minimal city" as a better alternative
to the "inflamed" economy and highly developed culture of Athens--until
his friends denounced it as a community “worthy only of swine”?
Why not give up all strenuous culture efforts and let things and people go where
they naturally want to go—the way of the satisfied pig?
Educators have always had a hard time justifying the demands of higher education
and culture. In practice it has usually been easier to just impose them. Traditionally
a defense has sometimes been attempted by invoking the seemingly self-evident
virtues of Truth, Goodness, and Beauty. Because this triad has become a somewhat
hackneyed and exhausted cliché, however, it is not often mentioned anymore,
except with a properly derisive sneer. Yet, it still pinpoints much of what
a liberal education is about, and it explains to some extent the inherent attraction
that Mill attributes to culture and the specifically human form of existence.
Truth, Goodness, and Beauty, if rightly considered, do define a way of being
in the world the virtue of which may come close to being self-evident.
Truth is, of course, crucially important in practical ways. Physicians need
to know what exactly causes diseases, agronomists need to know how much water
is carried by certain aquifers, and city planners need accurate data and reliable
predictions to provide for schools, roads, and other infra-structure requirements.
But the truth at which a liberal education aims goes beyond such practical concerns.
Scholars want to know what caused the collapse of the civilization of the ancient
Mayas, and scientists try to determine whether the universe is contracting or
expanding. They try to find out regardless of whether such knowledge is useful
or not. They pursue knowledge and understanding for the sake of knowledge and
understanding--because that seems to be part of what it is to be human.
The very uselessness of much of human knowledge seems to be typical for humankind.
Animals, too, can be said to know things, although mostly in different ways.
Their knowledge, for one thing, is tied much more closely to their individual
and species-related survival needs. Human knowledge is “universal”
in that it transcends the needs of any particular individual or species. Its
potential disconnection from practical viewpoints and special needs justifies
the description of human comprehension as “objective.” Understanding
does, of course, starts with partial perceptions and slanted opinions, but human
beings can and do learn how to correct one-sidedness and bias. The human species
is endowed with the faculty of detached and impersonal analysis, and with the
ability to distinguish between the perceptions of things as they appear and
as they actually are. The recognition of things independently of need, desire,
or lust of appropriation is part of a freedom that locates human beings in dimensions
that are significantly wider than those of other creatures. They are not tied
to a narrow nexus of practical tasks or everyday concerns, but are free to contemplate
the universe as a whole.
In his book Theaetetus Plato waxes enthusiastic about the broad horizons
of a person who has emancipated himself from the limitations of merely instrumental
knowledge:
His mind, disdaining the littleness and nothingness of ordinary human affairs,
is 'flying all abroad,' as Pindar says, measuring earth and heaven and the things
that are above and below heaven and earth, investigating the unabridged nature
of each and all in their entirety, but not condescending to the things close
at hand. (8)
What is ultimately important about the unlimited nature or “universality”
of human knowledge and comprehension is the state of mind and being in which
they potentially leave an individual. A person who appreciates knowledge as
nothing but a means to achieve practical ends is not free. A person like this
is tied into limited necessities and partial ends, and he or she will be anxious
with regard to outcomes and use. The attitude of calm detachment and quiet contemplation
will be alien to individuals caught in such a nexus. It is knowledge for knowledge’s
sake, and understanding for the sake of understanding, that expresses the freedom
at which liberal education aims. And this freedom may well be inherently attractive
to all who are familiar with it, and its value in this sense self-evident.
The potential of universality and freedom that characterizes human knowledge
also comes into play with respect to morality and law--with respect to Goodness.
While pigs, satisfied or otherwise, are mostly driven by their instincts of
self-preservation and the survival of their kind, humans are capable of taking
into detailed consideration the needs and desires of other and different beings.
The instinctual egotism of animals asserts itself, of course, in human behavior
as well. Throughout most of their history human beings certainly have not risen
very far above the level of other animals in this respect (which is why some
thinkers consider the present age still part of the "pre-history"
of the human race). But human beings are not by necessity limited to being only
concerned with what is good for this or that individual or group; their natural
constitution enables them to understand what is good for all beings--what is
good “as such.” They do not have to behave, either as individuals
or as collectives, like the proverbial pigs around troughs--competitive, greedy,
and desperately out for just themselves. They can assert their humanity by taking
a step back from their immediate natural instincts and arrange for the satisfaction
of their needs with consideration of what is good for others as well.
With respect to Goodness, too, it is being free that is inherently attractive
for human beings. Whoever is familiar with the difference between being in the
grip of self-righteousness, moral tunnel vision, and fanatic dogmatism on the
one hand, and being capable of a detached contemplation of options on the other,
will hardly agree to be committed to the former.
"Aesthetic distance" is the basis for the perception of beauty. A
certain inner distance to things characterizes the ability of human beings to
enjoy objects and people without bringing into play their practical needs or
personal desires. A person who can see in a tree nothing but so much usable
lumber, in a naked body nothing but prurient stimulation, or in an ocean nothing
more than a giant seafood factory, is someone who has not developed the aesthetic
dimension of his or her life. To perceive things as unrelated to practical uses
or narrow desires, to see them as fascinating in themselves (to have a "disinterested
interest" in things, as Kant called it), is a sign of a person's emancipation
from the limiting necessities and pressures of an animal-like existence, and
his or her transformation into a free being. It is this freedom, this inner
sovereignty, at which liberal education ultimately aims.
Considering once more the assertion that nobody who has become familiar with
culture and the life of the mind would ever knowingly and willingly regress
to a form of existence that is typical for less developed animals, we can see
why Mill thought that a fully developed human life is more attractive and inherently
superior to the options that a pig’s existence can offer. It is the fact
of the larger dimensions that the life of the mind provides, and the freer movements
within these larger spaces, that cannot fail to appeal to beings that have the
natural constitution and capabilities of humans. As no
person who has ever been free and living in the light of day would voluntarily
agree to become a prisoner in a dark cave, nobody who has ever been a free spirit
would seriously consider becoming a poorly informed, one-sidedly indoctrinated,
and utility-driven humanoid. Someone who knows both kinds of life would
find it grotesque to choose an existence of unnecessary restrictions and debilitating
limitations. In spite of the many dissatisfactions and occasional hardships
that a life of the mind will inevitably bring, Mill has excellent reasons for
saying that a dissatisfied Socrates is a happier being than a satisfied pig.
Notes
From Jorn Bramann: Educating
Rita and Other Philosophical Movies
"Educating Rita" the movie.
Bramann
Philosophical Films: A Special
Topics Course